As a multidisciplinary artist, I express myself through painting, photography, video, drawing and installation.
My process is situated at the intersection of reality and fiction. Through this lens, I question the history, memory and identity of the places where I live or have lived in relation to the place I occupy in these localities. I intentionally confuse fact and fiction to problematize hegemonic narratives and create spaces where marginalized discourse could flourish. Drawing from past and present situations, I organize, assemble and trace figures, as would a land surveyor, by reappropriating the codes of cultural, political, social and economic representations. In so doing, I build my own tools to better invest the “other’s” territory in order to enrich all the fields of research that inspire my practice.
Canadian Congolese aritst Moridja Kitenge Banza was born in Kinshasa in 1980 in the Democratic Republic of the Congo. He holds degrees from l’Académie des beaux-arts de Kinshasa, from l’École supérieure des beaux-arts de Nantes Métropole and from the Humanities and Social Sciences faculty of l’Université de La Rochelle. In 2010, he was awarded the first prize of the Biennale of Contemporary African Art, DAK’ART for his video Hymne à nousand his installation work De 1848 à nos jours. He will return to DAK’ART in 2020 as a guest curator of the Biennial. His work was part of exhibitions at the Musée Dauphinois (Grenoble, France), at the Museum of Contemporary Art (Rosklide, Danemark), at the Arndt Gallery and Ngbk (Berlin, Allemagne), at the Biennale Internationale de Casablanca (Casablanca, Maroc), at the Fondation Attijariwafa bank (Casablanca, Maroc), at the Fondation Blachère (Apt, France) as well as at the BAnQ, at galerie Joyce Yahouda, at Oboro and at the Musée des beaux-arts de Montréal (Montréal, Canada). In 2020, his artworks will be included in group exhibitions at the Phi Foundation and at the Montreal Museum of Contemporary Art.